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How Much Money Did Resident Evil Make at the Box Office This Weekend?

How Much Money Did Resident Evil Make at the Box Office This Weekend?

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By: Sam Connon

After Practical Magic 2 got the fall box office season rolling on a middling note, one of the season’s most anticipated movies is arriving with plenty of buzz. Resident Evil hit theaters on September 18, reviving the franchise with a new vision from director Zach Cregger fresh off of the Oscar-winning Weapons. So how much business did the zombie horror film based on the smash-hit video game series reel in over its first three days on the big screen?

Here is a breakdown of how Resident Evil performed at the box office this past weekend:

Resident Evil Box Office

Resident Evil made an estimated $60.0 million at the box office between September 18 and September 20. The previous film in the franchise, Resident Evil: Welcome to Raccoon City, opened to just $5.3 million in November 2021. During the Paul W.S. Anderson-Milla Jovovich era of the series, Resident Evil opened to $17.7 million in 2002, Resident Evil: Apocalypse opened to $23.0 million in 2004, Resident Evil: Extinction opened to $23.7 million in 2006, Resident Evil: Afterlife opened to $26.7 million in 2010, Resident Evil: Retribution opened to $21.1 million in 2012 and Resident Evil: The Final Chapter opened to $13.6 million in 2016. Adjusted for inflation, Resident Evil: Apocalypse leads the way at $44.4 million, followed by Resident Evil: Extinction at $41.2 million, Resident Evil: Afterlife at $40.4 million, Resident Evil at $34.5 million, Resident Evil: Retribution at $31.6 million, Resident Evil: The Final Chapter at $18.1 million and Resident Evil: Welcome to Raccoon City at $6.3 million.

According to DeadlineResident Evil made $8.8 million in domestic Thursday night previews. That cash is technically counted as part of the film’s $26.6 million Friday gross. It proceeded to make $20.3 million on Saturday and $13.2 million on Sunday. Resident Evil posted the fourth-largest domestic opening weekend by an R-rated movie so far in 2026. That slots it in behind The Odyssey, Backrooms and Scream 7. Resident Evil also ranks No. 3 among horror movie openers this year behind only Backrooms and Scream 7.

Looking beyond the United States and Canada, Resident Evil has reeled in an additional $48.3 million overseas. In total, the film has already grossed $108.3 million worldwide. International grosses powered the tail end of the Paul W.S. Anderson-Milla Jovovich era, with non-domestic markets accounting for roughly 80% of Afterlife and Retribution‘s box office takes, then over 90% for The Final Chapter. Each of those films finished with between $240 million and $315 million overall back in the 2010s.

Box Office Results (September 18-20, 2026)

Here is the top five at the domestic box office from this past weekend:

  1. Resident Evil – $60.0 million
    • Domestic Gross to Date: $60.0 million (1 week)
  2. Practical Magic 2 – $12.2 million
    • Domestic Gross to Date: $50.0 million (2 weeks)
  3. Spider-Man: Brand New Day – $6.5 million
    • Domestic Gross to Date: $944.5 million (8 weeks)
  4. The Odyssey – $4.9 million
    • Domestic Gross to Date: $609.8 million (10 weeks)
  5. Coyote vs. Acme – $4.5 million
    • Domestic Gross to Date: $54.8 million (4 weeks)

Here is the top five at the worldwide box office from this past weekend:

  1. Resident Evil – $108.3 million
    • Worldwide Gross to Date: $108.3 million (1 week)
  2. The Odyssey – $21.1 million
    • Worldwide Gross to Date: $1.721 billion (10 weeks)
  3. Practical Magic 2 – $19.2 million
    • Worldwide Gross to Date: $76.8 million (2 week)
  4. Spider-Man: Brand New Day – $17.3 million
    • Worldwide Gross to Date: $2.478 billion (8 weeks)
  5. Coyote vs. Acme – $4.5 million
    • Worldwide Gross to Date: $75.3 million (4 weeks)

Sam joined DraftKings in 2025 following five years with Sports Illustrated’s “On SI” network. He has covered the UCLA Bruins, New England Patriots, Tampa Bay Rays, MLB, MiLB and NBA, on top of earning awards from the Society of Professional Journalists and College Media Association during his time as a student at UCLA.
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